Product Description
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8 IMPACTFUL MOVIES FROM THE MOVIE CAREER OF OUR FUTURE
PRESIDENT. Dark Victory (1939) A young socialite is diagnosed
with an inoperable brain tumor and must decide whether she'll
meet her final days with dignity. Bette Davis enjoyed one of her
signature roles as a spoiled socialite facing terminal illness –
with friend Reagan among those helping her toward a last chance
to give her life meaning. • Run Time: 104 minutes Knute Rockne
All-American (1940) “I’ve decided to take up coaching as my life
work,” Knute Rockne says. Coach he does, revolutionizing football
with his strategies, winning close to 90 percent of his games,
and helping establish the University of Notre Dame’s “Fighting
Irish” as a gridiron powerhouse. But victories alone do not mean
success to Rockne. He wants to shape his players into responsible
and honorable men. This famed sports biopic combines a passion
for the game (and footage of actual Notre Dame contests) with two
superb performances: Pat O’Brien in the title role and Ronald
Reagan as George Gipp, the gifted but doomed halfback whose
deathbed plea to “win one for the Gipper” remains one of cinema’s
most memorable quotes. And for the rest of his life, Reagan would
often be called the Gipper. • Run Time: 97 minutes Kings Row
(1942) It’s a quaint turn-of-the-century small town with shady
streets, swimming holes and the clip-clop of horse and buggy. But
that peaceful exterior conceals human lives twisted by cruelty,
murder and madness. Kings Row is one of Warner Bros.’ most
distinguished productions, highlighted by an outstanding cast,
haunting James Wong Howe cinematography and a somber,
emotion-laden Erich Wolfgang Korngold score. Oomph Girl Ann
Sheridan, Robert Cummings, Betty Field, Claude Rains and Charles
Coburn give indelible performances – and Ronald Reagan’s
portrayal of Drake, a cheerful ne’er-do-well shattered by
tragedy, has been hailed as a career high. Nominated for three
Academy Awards including Best Picture, Kings Row is a powerful
American saga of dreams, despair and triumph. • Run Time: 127
minutes Desperate Journey (1942) When Flight Lt. Forbes and his
crew are down after bombing their target, they discover
valuable information about a hidden German aircraft factory that
must get back to England. In their way across Germany, they try
and cause as much damage as possible. Then, with the chasing
Germans about to pounce, they come up with an ingenious plan to
escape. Errol Flynn leads Reagan and other flyboys in a rousing
wartime spirit-lifter. • Run Time: 98 minutes Irving Berlin’s
This is the Army (1943) Irving Berlin’s beloved songs propel a
Technicolor musical spectacular based on the hit stage revue with
an all-GI cast plus Hollywood’s Reagan, George Murphy and Joan
Leslie. • Run Time: 125 minutes The Hasty Heart (1949) Monsoons
drench them. The sun scorches them. Still, the Allies fight
doggedly through Burma in 1945. For easygoing Yank (Ronald
Reagan) and hard-headed Lachie (Richard Todd), the road to
victory ends at a jungle hospital. With the help of a devoted
nurse (Patricia Neal), they face a new battle called recovery.
The Hasty Heart playwright John Patrick drew from his own wartime
service in a British ambulance unit. Vincent Sherman (The Hard
Way, Mr. Skeffington) directs this sensitive adaptation sparked
by the performance that ranks with Kings Row as among Reagan’s
best. The future President wasn’t the only one to draw accolades.
Todd won a 1949 Best Actor O nomination and a Most Promising
Newcomer Golden Globe Award as the valorous, wounded Scotsman
who doesn’t know that his new fight is his last. • Run Time: 102
minutes Storm Warning (1951) A mob in hooded white robes. A man
running for his life. fire. In the South to visit her sister
Lucy, Marsha Mitchell witnesses a Ku Klux Klan murder. Once
safely with Lucy, Marsha relays the terror she has seen…then
recognizes her sister’s brut
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To commemorate the centenary of a movie star-president, the
Ronald Reagan Centennial Collection serves up a patriotically
packaged batch of films from Reagan's relatively brief movie-star
prime. He was a second lead in good movies and leading man in
lesser properties, and Reagan's athletic, corn-fed, and energetic
persona in these movies foreshadows the qualities that voters
would later see in the politician. The eight titles, previously
available on DVD, are unlikely to convince anybody Reagan was a
great actor, but you can see how he could embody an idea.
Reagan is a playboy in the ensemble surrounding queen bee Bette
Davis in 1939's Dark Victory, which is by no stretch of the
imagination a Reagan movie but which holds up nicely as a potent
Davis weepie, in which she nails the role of a gadabout socialite
struck by a serious illness. Reagan himself discovered the value
of meeting a tragic e in Knute Rockne, All-American, the 1940
biopic of Notre Dame's legendary football coach. Pat O'Brien has
the title role in this boilerplate Hollywoodization, and although
Reagan's part is small it is pivotal--and it would follow him for
the rest of his life. He plays ill-ed Notre Dame player George
Gipp, whose deathbed plea to Rockne--"Win just one for the
Gipper"--became a national catchphrase. It's an efficient,
cornball picture, and a fond childhood memory for anybody who
encountered it at an early age.
Kings Row (1942) is consensus pick for Reagan's finest screen
hour. A big, juicy, and really quite weird melodrama, the film
cruises through the creepier side of small-town life, with Reagan
in a very appealing groove. He plays the more rascally of the two
male leads (Robert Cummings is the sensitive hero), a breezy
charmer whose talent with the ladies gets him in trouble. The
most lurid twist in the movie leads to Reagan's line "Where's the
rest of me?" which became the title of his autobiography. An
extremely entertaining movie, with director Sam Wood inestimably
aided by James Wong Howe's lush cinematography and Erich Wolfgang
Korngold's classic music score.
Raoul Walsh's Desperate Journey (1942) has Errol Flynn as the
Aussie leader of a multinational bomber crew that c-lands in
Germany (where the Germans actually speak German) and must make
its way across hostile territory to safety--a suspenseful setup
that takes on an oddly joshing tone. Ronald Reagan plays a
flippant US flyboy, and enjoys one of his best moments onscreen
with an engaging scene of double talk.
In 1943's This Is the Army, Reagan is a GI named Johnny Jones,
swept up in an all-star patriotic musical revue that serves as a
marvelous showcase for a slew of Irving Berlin tunes (Berlin
himself appears, singing "Oh, How I Hate to Get Up in the
Morning" in World War I garb). The film is no classic, but fans
of the American songbook will not be disappointed. It was a huge
hit, and has the distinction of featuring a future California
senator (George Murphy) and governor (you know who).
Reagan's career cooled after the Second World War, and he plays
a second lead in 1949's The Hasty Heart, an adaptation of a hit
play. Set in a hospital in Burma just after the war, the
story hinges on a group of patients concealing a al prognosis
from an ailing Scotsman (Richard Todd). The creaking of the play
is all too apparent, although Todd's performance is expert.
Patricia Neal, still new to movies, plays the nurse in charge.
Reagan gets to display his photographic memory by reeling off the
books of the Old Testament by rote. The commentary track for the
film has the (possibly unique) feature of having the director,
Vincent Sherman, begin weeping as he's talking about it.
Storm Warning (1951) is an effective but strange hybrid: part
film noir, part socially conscious picture. Ginger Rogers
witnesses a Ku Klux Klan killing as she's stopping off in a small
town to visit younger sis Doris Day; Day's hubby Steve Cochran is
one of the killers. In one of his best roles, a laid-back Reagan
plays the uncompromising local district attorney. The film has
some superb noir s in it, but the exposé of the KKK is truly
tame: although the word lynching is used, there's no racial angle
to the movie at all. It's more like the Klan is a crime syndicate
that needs to be cleaned up. In The Winning Team Reagan plays
famed baseball pitcher Grover Cleveland Alexander, whose
struggles with illness and alcoholism form the spine of the tepid
plot. Doris Day, now top-billed, costars as Alexander's
supportive wife. The movie pays proper tribute to a legendary
baseball moment: Alexander's heroic performance in the 1926 World
Series. It's another win for the Gipper. --Robert Horton