Earth vs. the Flying Saucers [Blu-ray] [1956] [Region Free]

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Product Description ------------------- Aliens are everywhere, and they're attacking planet Earth in one of Ray Harryhausen's most amazing stop motion sci fi classics. Dr. Russell Marvin (Hugh Marlowe) works for Operation Skyhook, a government task force sending rockets into space to probe for future space flights. But when the rockets begin mysteriously disappearing, Dr. Marvin investigates along with his wife Carol (Joan Taylor), only to find the rockets are being intercepted by an army of space aliens who give humanity an ultimatum: Loyalty or death! As the aliens begin attacking cities and landmarks across the Earth - including an unforgettable assault on Washington, D.C - its up to Dr.Marvin and his wife to figure out how to stop these diabolical creatures before its too late .co.uk Review ------------- A textbook example of '50s-era science fiction, Earth vs. the Flying Saucers boasts not only a solid script and competent performances, but some genuinely impressive stop-motion effects courtesy of one of the industry's uncontested masters, Ray Harryhausen. Scientist Hugh Marlowe (who faced a more benevolent invader from space five years earlier in The Day the Earth Stood Still) discovers that UFOs are responsible for the destruction of a series of exploratory space rockets launched by his space exploration project. The saucers' helmeted pilots land on Earth and deliver an ultimatum to humanity via Marlowe. Harryhausen's painstakingly intricate saucers and the destruction they wreak (particularly during an assault on Washington, D.C.) are the film's unquestionable highlights, but Marlowe and Joan Taylor (as his wife/partner) are capable leads, and veteran B director Fred F. Sears doesn't let the dialogue and expositional scenes fall apart in between the barrage of effects. Earth vs. the Flying Saucers is a fun and effective slice of sci-fi that should please younger audiences as well as nostalgic return viewers. Sears later reused some of the effects footage for his jaw-droppingly awful 1957 effort, The Giant Claw. --Paul Gaita